I used to think ruching was a cheat code for hiding a bad day of eating, and honestly, it still is, but that’s not actually why it works. A good ruched dress does something cleverer than camouflage: it moves with you instead of just hanging there waiting for you to fill it out perfectly. That gathered fabric catches the light differently depending on how you’re standing, so the whole thing has a bit of life to it rather than sitting flat and lifeless under restaurant lighting.
The black ones are the ones worth having because black does the heavy lifting on occasion while the ruching does the shaping, so you get drama without having to think too hard about it at seven in the evening when you’ve got twenty minutes to be out the door. What makes one properly good rather than just adequate is where the gathering actually sits. Ruching at the side seam does something for a waist that ruching scattered randomly across the front never will.

Cheap versions bunch the fabric everywhere and end up looking like the dress had a rough journey in a suitcase. A well cut one places the gather with intent, usually along the body’s actual lines, not fighting against them.
Styling wise, resist the urge to overdress it. The dress is already doing the work, so a strappy sandal and a bit of gold jewellery is plenty for evening, and for daytime a flat boot and a proper coat thrown over the top turns it into something you can wear to a lunch that might turn into wine without ever feeling like you got dressed up for nothing.

Tights change the whole mood of it too, sheer black for something sleeker, opaque for something a bit more sturdy and daytime.
Occasion wise, this is the dress for the birthday dinner where you want to look like you tried without looking like you’re trying to compete with the birthday person, the work do where the brief is unclear so you’re hedging your bets, the date where you want a bit of shape without any fuss. It photographs well, which matters more than people admit, and it survives sitting down at a table for three hours without creasing into something that needs apologising for. That’s the actual test of a good one, not how it looks walking in, but how it looks walking out.
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